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CertificationPG Our Rating

Phyllis Dietrichson is trapped in a loveless marriage to a man who inspires in her nothing but contempt, but rather than leave him Phyllis decides to kill him and collect on the insurance policy she's had set up with the help of her lover, and naive partner in crime, insurance salesman Walter Neff. The only flaws in their plan are the company's reluctance to pay out so much, the diligence of Neff's increasingly suspicious colleague, (and his 'little man'), and the exemplary ruthlessness of Ph find out more...


Certification18 Our Rating

Eight months after a disastrous job in Kiev left him physically and mentally scarred, ex-soldier turned contract killer, Jay, is pressured by his partner, Gal, into taking a new assignment. As they descend into the dark and disturbing world of the contract, Jay begins to unravel once again, his fear and paranoia sending him deep into the heart of darkness. An find out more...


Certification18 Our Rating

 

The title is misleading--there is no Spartacus to be found here--but little matter, as Gods of the Arena is a prime example of making lemonade from lemons. Faced with the unavailability of Andy Whitfield, star of Spartacus: Blood and Sand, due to a recurrence of cancer, the folks at Starz chose to go ahead without him and create a prequel, a resourceful way of buying some time until a new Spartacus could be found while employing several actors already under contract. The focus find out more...


Certification18 Our Rating

The title is misleading--there is no Spartacus to be found here--but little matter, as Gods of the Arena is a prime example of making lemonade from lemons. Faced with the unavailability of Andy Whitfield, star of Spartacus: Blood and Sand, due to a recurrence of cancer, the folks at Starz chose to go ahead without him and create a prequel, a resourceful way of buying some time until a new Spartacus could be found while employing several actors already under contract. The focus throughout thes find out more...


Certification15 Our Rating

"Josephine Decker has created a new style of thriller that employs allegory, incorporates touches of David Lynch as well as Magritte -esque imagery. Decker's setting of a remote farm feels like a metaphor for what turns out to be hell. The raw and emotional (and yes, sometimes funny) dialog tells a story that can seem familiar at points but really is meant to keep you guessing and off balance. I really enjoyed how the undertones of this film came to life through her very deft contrast of the find out more...